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- <text id=89TT3078>
- <title>
- Nov. 20, 1989: Underdogs
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1989
- Nov. 20, 1989 Freedom!
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- BOOKS, Page 106
- Underdogs
- </hdr><body>
- <qt> <l>THE PEOPLE AND UNCOLLECTED STORIES</l>
- <l>By Bernard Malamud</l>
- <l>Farrar, Straus & Giroux; 269 pages; $18.95</l>
- </qt>
- <p> In a 1968 story called An Exorcism, Bernard Malamud wrote
- of Eli Fogel, a middle-aged author suddenly saddled with a
- young acolyte named Gary Simson. Fogel enjoys the veneration,
- up to a point; his work has garnered moderate recognition and
- less money. But Simson's relentless requests for advice, tips
- on writing and letters of recommendation distract Fogel from his
- own efforts, in this case his slow progress in finishing another
- novel: "Perfection comes hard to an imperfectionist. He had
- visions of himself dying before the book was completed. It was
- a terrible thought: Fogel seated at the table, staring at his
- manuscript, pen in hand, the page ending in a blot."
- </p>
- <p> With hindsight this passage seems chilling. An Exorcism was
- not included among the 25 works in The Stories of Bernard
- Malamud (1983). But it appears in this posthumous collection,
- along with The People, a novel interrupted in its 17th chapter
- by Malamud's death in 1986.
- </p>
- <p> In its truncated and unrevised form, The People will add
- little to Malamud's reputation, which hardly needs embellishment
- in any case. His novels, including The Natural and The
- Assistant, and books of stories such as The Magic Barrel and
- Idiots First long ago established his place among the best
- postwar American writers. This triumph was not easily won.
- Malamud never catered to popular tastes or expectations. His
- fiction was often as grim as it was enchanting. He wrote, and
- rewrote, slowly, with consummate care.
- </p>
- <p> Unhappily denied such attentions, The People is a rough
- draft of the novel it might have become. The year is 1870, and
- Yozip Bloom, a Russian immigrant and itinerant Jewish peddler,
- roams the Pacific Northwest. He is kidnaped by an Indian tribe
- that calls itself the People. For reasons not entirely clear,
- Yozip has been singled out as the spokesman, Yiddish-inflected
- English and all, who will defend the rights of the People
- against the perfidious, treaty-breaking whites.
- </p>
- <p> In outline this story is pure Malamud. It sets a
- sympathetic vision of the underdogs and downtrodden against a
- backdrop of myth and spacious possibilities. When the narrative
- breaks off, the good guys are losing, a situation that is also
- typical of its author. But in the notes he left for the
- remaining four chapters, Malamud outlined a way for Yozip to be
- of further, and possibly victorious, service to those who had
- adopted him.
- </p>
- <p> The best part of this volume can be found in the 16 stories
- following the unfinished novel. Five have never been published,
- and the rest were never collected in hard covers. It is
- difficult to imagine why not. Malamud hit his stride early,
- writing stories of old men trying to preserve their dignity amid
- the shambles of harsh circumstances. In The Literary Life of
- Laban Goldman, an elderly Jew attends night school to improve
- his English and get away from his nagging wife; he experiences
- a brief moment of triumph when the Brooklyn Eagle publishes his
- letter to the editor urging a relaxation of New York State
- divorce laws. The Grocery Store evokes the atmosphere in which
- the author, the son of a grocer, grew up in Brooklyn.
- </p>
- <p> Almost alone among his contemporaries, Malamud was equally
- gifted at the novel and short story. In some moods he preferred
- the short form: "In a few pages a good story portrays the
- complexity of a life while producing the surprise and effect of
- knowledge -- not a bad payoff." All the stories salvaged here
- are good, and so is the payoff.
- </p>
-
- </body></article>
- </text>
-
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